{"id":1433,"date":"2019-06-01T08:40:35","date_gmt":"2019-06-01T08:40:35","guid":{"rendered":"http:\/\/www.gaiamedia.org\/english\/?p=1433"},"modified":"2019-06-01T08:40:35","modified_gmt":"2019-06-01T08:40:35","slug":"june-2019-good-to-hear","status":"publish","type":"post","link":"https:\/\/www.gaiamedia.org\/english\/2019\/06\/01\/june-2019-good-to-hear\/","title":{"rendered":"june 2019 \u2013 good to hear"},"content":{"rendered":"

Natty Dread<\/strong><\/a>
\nLieutenant Stitchie<\/strong>
\nThe quality of the video is nothing to write home about but the music and the lyrics are so much fun! Cleveland (born c.1965), better known as Lieutenant Stitchie, is a Jamaican DJ who originally worked in the dancehall style but switched to gospel reggae in 1997 after surviving a car crash, thereafter working under the shorter name Stitchie. (Wikipedia) Teacher, father, author, honorary doctor, singer, performer\u2026 there are few things that this man is not. Enthroned and revered as the dancehall Governor, he has been one of the genre\u2019s most acclaimed icons, his energetic and mesmerising live appearances, coupled with his message of Love, Peace and Righteousness, makes him one of the most sort after artiste in the Reggae Music Industry globally. (Reggaeville.com)
\nOrchard Music, 2007<\/p>\n

\n

Nuff Respect<\/strong><\/a>
\nLady G<\/strong>
\nJanice Fyffe (born 7 May 1968), better known as Lady G, is a female dancehall and reggae deejay. She is best known for her song\u00a0Man a Bad Man<\/em>\u00a0 from the film \u00abThird World Cop\u00bb. Lady G’s other songs include\u00a0Nuff Respect<\/em>,\u00a0Round Table Talk<\/em>\u00a0(with her mentor Papa San), Certain Friends<\/em>,\u00a0Breeze Off<\/em>\u00a0and\u00a0Girls Like… Us<\/em>\u00a0as a featured artist. She records on the label Greensleeves. Lady G performed at Europe’s biggest reggae festival, Summerjam, in 2001. She has also toured the United States with Buju Banton. Typically, there is little info to be found about this fantastic lady artist.
\nGreensleeves, 2011<\/p>\n

\n

The Best of Dennis Brown<\/strong><\/a>
\nDennis Brown<\/strong>
\nDennis Brown was born in Kingston, on 1 February 1957, and began his music career at age nine, as a street singer. When he was eleven, he made a guest appearance with the Fabulous Falcons who asked him to join them as a vocalist. In 1972, he recorded his first album bringing him instant acclaim in Jamaica\u2019s dancehall scene. By 1973, he had exhausted himself, stayed home and concentrated on his studies. He toured the United Kingdom in 1977, moving to London in 1978 to relaunch the DEB Music label with Castro Brown. He recorded many well-known artists of the day and also worked as a back-up vocalist. His own albums included\u00a0Visions of Dennis Brown<\/em>,\u00a0So Long Rastafari<\/em>\u00a0and\u00a0Josep\u2019s Coat of Many Colours<\/em>. In 1981, Brown signed a record deal with A&M Records, releasing a great number of songs during the 80ies. His 1994 Album \u00abLight My Fire\u00bb was nominated for a Grammy Award, as was his posthumous album \u00abLet Me Be the One\u00bb (2001). Unfortunately, his health deteriorated around the turn of the century. He contracted tuberculosis and died on 1 July 1999. (sgs)
\nEMI Music, 2013<\/p>\n

\n

1Xtra in Jamaica<\/strong><\/a>
\nKing Jammy, Beenie Man, Lt Stitchie & Josey Wales at King Jammy’s studio\u00a0<\/strong>
\n\u00abLloyd James (born 26 October 1947, in Montego Bay, Jamaica, better known as Prince Jammy or King Jammy, is a dub mixer and record producer. He began his musical career as a dub master at King Tubby\u2019s recording studio, being known for his clear sound and use of effects. After earning money from building amplifiers and repairing electrical equipment from his mother’s house in Waterhouse in the late 1960s, he started his own sound system. He also built equipment for other local systems. After a few years in Canada, he returned to Kingston in 1976 and set up his own studio. Jammy improvised Reggae and Dancehall, he digitalised old riddims, like Real Rock, and Far East. King Jammy then began working with top artists in Jamaica throughout the 1980s and 1990s such as Admiral Bailey, Admiral Tibet, Chaka Demus, Frankie Paul, Lieutenant Stitchie, Pinchers and even Dennis Brown.\u00bb (Wikipedia)
\nBBC Radio 1Xtra, 2017<\/p>\n

\n

Ricky Trooper Live & Direct @ the Maroon festival 2019<\/strong><\/a>
\n\u00abThe Jamaican DJ Ricky Trooper is a prominent dancehall selector. Despite the loss of his US visa, due to gun possession, Trooper frequently plays dates in Africa, Europe and the wider Caribbean area. Garfield McKoy (Trooper’s real name) says his interest in sound systems started when he was eight years old and living in St Mary. That fascination grew when he and his family relocated to Spanish Town where his neighbour, who owned a sound system, gave him his first opportunity to operate the turntables. While attending St Catherine High School in the 1980s, he and a friend started their own sound system called Ultimate Touch. Next stop was Kilimanjaro, the era’s top ‘sound’. It was not until 1995 that he got his big break.\u00bb (McKoy\u2019s News)
\nCulture For more Quality, 2019<\/p>\n","protected":false},"excerpt":{"rendered":"

Natty Dread Lieutenant Stitchie The quality of the video is nothing to write home about but the music and the lyrics are so much fun! Cleveland (born c.1965), better known as Lieutenant Stitchie, is a Jamaican DJ who originally worked in the dancehall style but switched to gospel reggae in 1997 after surviving a carContinue Reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/1433"}],"collection":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/comments?post=1433"}],"version-history":[{"count":1,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/1433\/revisions"}],"predecessor-version":[{"id":1434,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/1433\/revisions\/1434"}],"wp:attachment":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/media?parent=1433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/categories?post=1433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/tags?post=1433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}