{"id":2056,"date":"2021-07-01T18:08:56","date_gmt":"2021-07-01T18:08:56","guid":{"rendered":"https:\/\/www.gaiamedia.org\/english\/?p=2056"},"modified":"2021-07-29T18:13:30","modified_gmt":"2021-07-29T18:13:30","slug":"july-2021-good-to-hear","status":"publish","type":"post","link":"https:\/\/www.gaiamedia.org\/english\/2021\/07\/01\/july-2021-good-to-hear\/","title":{"rendered":"july 2021 \u2013 good to hear"},"content":{"rendered":"<p><a href=\"https:\/\/www.youtube.com\/watch?v=1mMllxkOPvc\" target=\"_blank\" rel=\"noopener\">Muito \u00e0 vontade<\/a><br \/>\n<strong>Jo\u00e3o Donato e sui Trio<\/strong><br \/>\nThe Brazilian jazz and bossa nova pianist Jo\u00e3o Donato de Oliveira Neto began playing professionally at age fifteen. He later joined Antonio Carlos Gobim and Astrud Gilberto and was joined by Jo\u00e3o Gilberto when he had become the pianist and arranger for the band Garotos da Lua. In the seventies he went to the US where he recorded with Mongo Santamaria, Tito Puente and others. Donato was the recipient of several Grammy Awards. Alexandre Carvalho dos Santos wrote, \u00abI recommend a Jo\u00e3o Donato gig not only to someone who is interested in first class music, an impressive pianist and a selection of historic compositions. I recommend it to anyone who needs an anti-depressive, an acupuncture session or any such other form of deep relaxation.\u00bb (SGS, Source: Wikipedia)<br \/>\n<em>Polydor, 1963<\/em><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=G5084WbyZM8&amp;list=PL5g1nz_E8zidoHkFPKDY97zQna1h_kcI0\" target=\"_blank\" rel=\"noopener\">Blue<\/a><br \/>\n<strong>Joni Mitchell<\/strong><br \/>\nJoni Mitchell is not only an extraordinary pure singer, with a jazzy edge, but also a proliferous composer and a great guitarist and pianist as well as having inspired countless other musicians. All this has been said again, on occasion of the 50th anniversary of her \u00abarchetypical\u00bb album, as The New York Times wrote. Blue, Mitchell\u2019s fourth studio album, stands for the early hippie area, situated between Laurel Canyon in California and the Greek islands, where singer songwriters went to find a congenial environment, just like another Canadian legend, Leonard Cohen. Joni had been hanging out with Graham Nash, David Crosby and James Taylor but left to be by herself. After all these years, Joni Mitchell still hits home with clarity, truth and determination. See also a series of <a href=\"https:\/\/www.nytimes.com\/interactive\/2021\/06\/20\/arts\/music\/joni-mitchell-blue.html\" target=\"_blank\" rel=\"noopener\">interviews around the star in The New York Times.<\/a><br \/>\n<em>Reprise | June 1971<\/em><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=9zDYkbNoUzw\" target=\"_blank\" rel=\"noopener\">Merzbow<\/a><br \/>\n<strong>Tajak<\/strong><br \/>\nThese people are producing the most laidback music I have heard in a while, and some of their visuals are pretty trippy too. All I have been able to find out is that they are an experimental band from Mexico whose first, digital album is called <a href=\"https:\/\/www.youtube.com\/watch?v=V1IB1VfZ3KA\" target=\"_blank\" rel=\"noopener\">Amsterdam 211 (2017)<\/a><br \/>\n<em>Hole Records | August 2019<\/em><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=cj9zlqjgk0k\" target=\"_blank\" rel=\"noopener\">Hacia El Vac\u00edo<\/a><br \/>\n<strong>Mabe Fratti featuring Claire Rousay<\/strong><br \/>\nTaken from the upcoming album Ser\u00e1 que ahora podremos entendernos? (Will we be able to understand each other now?) Mabe Fratti is an extraordinary young experimental Guatemalan cellist and composer. She has made in Mexico City her home. \u00abThis song is about the quest to understand something that has been said and how slow the process of explaining can be,\u00bb Fratti said in a statement. \u00abHow words serve as a kind of bridge, but that finally there is a point where we can only trust that we understood. (San Antonio (TX) based percussionist\/composer) Claire Rousay intervened in this song with field recordings and cymbals.\u00bb <a href=\"https:\/\/ourculturemag.com\/2021\/04\/13\/mabe-fratti-announces-new-album-shares-new-song-featuring-claire-rousay\" target=\"_blank\" rel=\"noopener\">Read more here.\u00a0<\/a><br \/>\n<em>Unheard of Hope Records | April 2021<\/em><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=x1S41iWBkms\" target=\"_blank\" rel=\"noopener\">Max Bruch: String Quintet in E flat major<\/a><br \/>\n<strong>WDR Symphonieorchester Chamber Players<\/strong><br \/>\nFollowing what Fanfare described as \u00abcharacterful, cogent, committed\u00bb accounts of Beethoven string quintets last year, the WDR players turn their attention to the chamber works which the eighty-year -old Bruch composed in 1918, inspired by the virtuoso violinist Willy Hess (who had performed in the premieres of his Double Concerto for Clarinet and Viola and the Konzertst\u00fcck for Violin and Orchestra). Max Bruch (1838-1920) saw music as \u00abthe language of God\u00bb and was confirmed in his romantic worldview by a long and happy marriage with the singer Clara Tuczek and an equally successful career. At the height of his fame, he spent three seasons as the conductor of the Liverpool Philharmonic Society.<br \/>\n<em>Virtigo | Juni 2021<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Muito \u00e0 vontade Jo\u00e3o Donato e sui Trio The Brazilian jazz and bossa nova pianist Jo\u00e3o Donato de Oliveira Neto began playing professionally at age fifteen. He later joined Antonio Carlos Gobim and Astrud Gilberto and was joined by Jo\u00e3o Gilberto when he had become the pianist and arranger for the band Garotos da Lua.<a href=\"https:\/\/www.gaiamedia.org\/english\/2021\/07\/01\/july-2021-good-to-hear\/\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2056"}],"collection":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/comments?post=2056"}],"version-history":[{"count":1,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2056\/revisions"}],"predecessor-version":[{"id":2057,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2056\/revisions\/2057"}],"wp:attachment":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/media?parent=2056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/categories?post=2056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/tags?post=2056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}