{"id":2656,"date":"2023-06-01T15:08:35","date_gmt":"2023-06-01T15:08:35","guid":{"rendered":"https:\/\/www.gaiamedia.org\/english\/?p=2656"},"modified":"2023-06-01T15:30:36","modified_gmt":"2023-06-01T15:30:36","slug":"june-2023-good-to-read","status":"publish","type":"post","link":"https:\/\/www.gaiamedia.org\/english\/2023\/06\/01\/june-2023-good-to-read\/","title":{"rendered":"june 2023 \u2013 good to read"},"content":{"rendered":"<div id=\"pl-2656\"  class=\"panel-layout\" ><div id=\"pg-2656-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-2656-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-0-0-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"0\" ><img width=\"1707\" height=\"2560\" src=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL.jpg\" class=\"image wp-image-2661  attachment-full size-full\" alt=\"\" loading=\"lazy\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL.jpg 1707w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL-200x300.jpg 200w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL-683x1024.jpg 683w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL-768x1152.jpg 768w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL-1024x1536.jpg 1024w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL-1366x2048.jpg 1366w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/81iui1RLgvL-433x650.jpg 433w\" sizes=\"(max-width: 1707px) 100vw, 1707px\" \/><\/div><\/div><div id=\"pgc-2656-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-0-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"1\" ><h3 class=\"widget-title\">Whiteout: How Racial Capitalism Changed the Color of Opioids in America<\/h3>\t\t\t<div class=\"textwidget\"><p><em>Helena Hansen, David Herzberg and Jules Netherland<\/em><br \/>\nBlack people on drugs get police, prison, and methadone; white folks get therapy, sympathy, and buprenorphine. Meanwhile, the biggest dealers, pharmaceutical companies, get fines and wrist slaps, but continue to profit by creating addicts and then <em data-color=\"gelb-light\">selling<\/em>\u00a0drugs promising a cure.\u00a0Why?\u00a0The answers are here.<br \/>\n<strong>University of California Press\u00a0<\/strong><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-2656-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-2656-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-1-0-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"2\" ><img width=\"333\" height=\"500\" src=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/41odYuL4RHL.jpg\" class=\"image wp-image-2660  attachment-full size-full\" alt=\"\" loading=\"lazy\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/41odYuL4RHL.jpg 333w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/41odYuL4RHL-200x300.jpg 200w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><\/div><\/div><div id=\"pgc-2656-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-1-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"3\" ><h3 class=\"widget-title\">Haight-Ashbury, Psychedelics, and the Birth of Acid Rock<\/h3>\t\t\t<div class=\"textwidget\"><p><em>Robert J. Campbell<\/em><br \/>\nCampbell relates how LSD allowed users to enhance the perception of alternative realities and describes its wide-scale use in the Haight-Ashbury District of San Francisco from 1964 to 1967. Combining literature, social history, and personal experience, the author traces the birth, downfall, and legacy of the innovative, playful, and spontaneous counterculture launched in 1960s Haight-Ashbury.<br \/>\n<strong>Suny Press<\/strong><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-2656-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-2656-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-2-0-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"4\" ><img width=\"203\" height=\"300\" src=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/book-cover-Waiting-to-Inhale-Akwasi-203x300-1.jpg\" class=\"image wp-image-2664  attachment-full size-full\" alt=\"\" loading=\"lazy\" style=\"max-width: 100%; height: auto;\" \/><\/div><\/div><div id=\"pgc-2656-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-2-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"5\" ><h3 class=\"widget-title\">Waiting to Inhale. Cannabis Legalization and the Fight for Racial Justice<\/h3>\t\t\t<div class=\"textwidget\"><p><em>Akwasi Owusu Bempah, Tahira Rehmatullah<\/em><br \/>\nFrom the start, the War on Drugs targeted Black, Brown, and Indigenous Americans already disadvantaged by a system stacked against them. Even now, as white Americans who largely escaped the fire capitalize on the legalization movement and a booming cannabis industry, their less fortunate peers continue to suffer the consequences of the systemic racism in policing and failed drug policy that fueled the original crisis.<br \/>\n<strong>MIT Press<\/strong><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-2656-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-2656-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-3-0-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"6\" ><img width=\"1719\" height=\"2560\" src=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L.jpg\" class=\"image wp-image-2663  attachment-full size-full\" alt=\"\" loading=\"lazy\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L.jpg 1719w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L-201x300.jpg 201w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L-688x1024.jpg 688w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L-768x1144.jpg 768w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L-1031x1536.jpg 1031w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L-1375x2048.jpg 1375w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/911IoFtcY-L-436x650.jpg 436w\" sizes=\"(max-width: 1719px) 100vw, 1719px\" \/><\/div><\/div><div id=\"pgc-2656-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-3-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"7\" ><h3 class=\"widget-title\">Alay-Oop<\/h3>\t\t\t<div class=\"textwidget\"><p><em>William Gropper<\/em><br \/>\n\u00abThe book is a witty social realist graphic novel of life among working-class variety performers\u2014or maybe it\u2019s a graphic ballad, with its surface simplicity. But the story gains in depth on repeated viewing\u2014and each viewing is a delight, as Gropper\u2019s cartooning masterfully reveals character through expressive gestures in efficiently observed spaces. He tells his story with a bold, graceful, and athletic brush line\u2014somehow both light and weighty\u2014that soars and swings across the pages until the artist, and the woman at the center of this tale, land firmly on their feet.\u00bb (Art Spiegelman)<br \/>\n<strong>New York Review Comics<\/strong><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-2656-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-2656-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-4-0-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"8\" ><img width=\"342\" height=\"500\" src=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/418IMhKJyCL.jpg\" class=\"image wp-image-2662  attachment-full size-full\" alt=\"\" loading=\"lazy\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/418IMhKJyCL.jpg 342w, https:\/\/www.gaiamedia.org\/english\/wp-content\/uploads\/2023\/06\/418IMhKJyCL-205x300.jpg 205w\" sizes=\"(max-width: 342px) 100vw, 342px\" \/><\/div><\/div><div id=\"pgc-2656-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-2656-4-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"9\" ><h3 class=\"widget-title\">Set and Setting. Kerim Seiler (1997-2022)<\/h3>\t\t\t<div class=\"textwidget\"><p><em>Anne Vieth, Walter K\u00f6nig, Stefan Zweifel<\/em><br \/>\nThere\u2019s a new, English-language book out about my son, an artist and also the president of gaiamedia. It provides detailed and graphically elaborate insights into twenty-five years of his artistic work. In addition to its documentary character, the book deals with art history. Various theoretical approaches can be distinguished and interpreted looking at Kerim&#8217;s endeavors. (sgs)<br \/>\n<strong>Cornerhouse Publications<\/strong><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Helena Hansen, David Herzberg and Jules Netherland Black people on drugs get police, prison, and methadone; white folks get therapy, sympathy, and buprenorphine. Meanwhile, the biggest dealers, pharmaceutical companies, get fines and wrist slaps, but continue to profit by creating addicts and then selling\u00a0drugs promising a cure.\u00a0Why?\u00a0The answers are here. University of California Press\u00a0 Robert<a href=\"https:\/\/www.gaiamedia.org\/english\/2023\/06\/01\/june-2023-good-to-read\/\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2656"}],"collection":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/comments?post=2656"}],"version-history":[{"count":5,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2656\/revisions"}],"predecessor-version":[{"id":2666,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2656\/revisions\/2666"}],"wp:attachment":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/media?parent=2656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/categories?post=2656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/tags?post=2656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}