{"id":2851,"date":"2023-12-02T14:21:56","date_gmt":"2023-12-02T14:21:56","guid":{"rendered":"https:\/\/www.gaiamedia.org\/english\/?p=2851"},"modified":"2023-12-02T15:35:23","modified_gmt":"2023-12-02T15:35:23","slug":"december-good-to-hear","status":"publish","type":"post","link":"https:\/\/www.gaiamedia.org\/english\/2023\/12\/02\/december-good-to-hear\/","title":{"rendered":"december 2023 \u2013 good to hear"},"content":{"rendered":"

Mon Laferte<\/a>
\nTiny Desk Concert<\/strong>
\non Laferte reminds me of Amy Winehouse, but her music is more like Latin \u00a0Swing with a good touch of Django Reinhard or St\u00e9phane Grappelli thrown is, as well as more Mexican traditional flourishes. Mon favors a burlesque look; her singing is sure and pure. The Chilean Mexican musician, singer, composer, and painter is known for her diverse musical style and captivating stage persona. She has won four Latin Grammy Awards and two MTV Europe Music Awards. (Wikipedia)
\nUniversal Music<\/strong><\/p>\n

Margaret Glaspy<\/a>
\nAct Natural<\/strong>
\nThe twenty-two-year-old singer songwriter was born in Sacramento California Her album Echo the Diamon was released last August. \u201cThis record came from trying to meet life on life\u2019s terms, instead of looking for a happy ending in everything,\u201d says the now New York-based musician. \u201cThe whole experience of creatin g it felt like effortless catharsis.\u201d Margaret Glaspy sounds like someone who\u2019ll go far to me.
\nATO Records<\/strong><\/p>\n

The National<\/a>
\nLaugh Track (feat. Phoebe Bridgers)<\/strong>
\nFormed in Brooklyn in 1999, The National are from Cincinnati, Ohio. Made up of vocalist Mark Berninger, the twin brothers Aaron and Bryce Dessner, as well as the brothers Scott and Bryan Devendorf, later joined by Karl Resniak, Mark Berninger\u2019s wife, Carin Besser, contributed to the lyrics from the beginning. The band\u2019s style has been called \u201cliterate Rock\u201d by the Guardian: 2dark, melancholy, and difficult to interpret.\u201d Over the years, they\u2019ve received many awards and gone on many tours.
\n4AD<\/strong><\/p>\n

Andr\u00e9 3000<\/a>
\nTrapped (from the album New Blue Sun)<\/strong>
\nKnown as one part of the Southern hip hop du Outkast, Andr\u00e9 Lauren Benjamin (1975) has had a spiritual awakening. In the wake of recent experiences, he embarked on a musical journey of his own where he expresses his creativity freely as never before. The trip seems to lead through various landscapes of the mind, taking us to an actual jungle of sounds from the choral to the animal, in an intricate symphony about the interconnected of all being.
\nEpic Records<\/strong><\/p>\n

Czech Philharmonic Orchestra \/ Semyon Bychkov<\/a>
\nMahler Symphony Nr. 9 (Trailer)<\/strong>
\nSemyon Bychkov\u2019s Mahler series, the first from a Czech orchestra in 40 years, is tackling the symphonies in no particular order and with varying degrees of success. This instalment proves something of a triumph. Whatever weight you place on Mahler\u2019s Bohemian and Moravian connections, the First is a late 19th-century composition envisioned initially as a large-scale symphonic poem.
\nDeutsche Grammophon<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mon Laferte Tiny Desk Concert on Laferte reminds me of Amy Winehouse, but her music is more like Latin \u00a0Swing with a good touch of Django Reinhard or St\u00e9phane Grappelli thrown is, as well as more Mexican traditional flourishes. Mon favors a burlesque look; her singing is sure and pure. The Chilean Mexican musician, singer,Continue Reading<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,8],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2851"}],"collection":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/comments?post=2851"}],"version-history":[{"count":3,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2851\/revisions"}],"predecessor-version":[{"id":2860,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/2851\/revisions\/2860"}],"wp:attachment":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/media?parent=2851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/categories?post=2851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/tags?post=2851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}