{"id":3082,"date":"2024-05-01T17:36:14","date_gmt":"2024-05-01T17:36:14","guid":{"rendered":"https:\/\/www.gaiamedia.org\/english\/?p=3082"},"modified":"2024-05-01T17:36:14","modified_gmt":"2024-05-01T17:36:14","slug":"goodnews-2024-good-to-hear","status":"publish","type":"post","link":"https:\/\/www.gaiamedia.org\/english\/2024\/05\/01\/goodnews-2024-good-to-hear\/","title":{"rendered":"goodnews 2024 – good to hear"},"content":{"rendered":"

End of the Day (from the film Anonymous Club)<\/h3>\n
\n\t

Courtney Barnett<\/a><\/p>\n

Courtney Melba Barnett (born 3 November 1987) is an Australian singer, songwriter, and musician. \u201cEnd Of The Day is a meditative, slow-burning and beautiful record, prioritising atmosphere, tone and texture over traditional song structures and melodic hooks. It's a fearless and stunning turn for an artist who built her formidable reputation through profound lyricism and riff-based fireworks.\u201d (Bandcamp)
\nMilk Records<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

Psychedelics II \u2013 My Apothecary Light<\/h3>\n
\n\t

William Brittelle<\/a>
\nProducer and Grammy-winning composer William Brittelle, a creator of hyper-text and multimedia, is an avid collaborator. He has worked with a number of artists across multiple disciplines, including Roomful of Teeth, Justin Vernon (Bon Iver), Bryce Dessner (The National), Son Lux, Oneohtrix Point Never, A Far Cry, Lower Dens, Duran Duran, Wye Oak, Dirty Projectors, Kanye West, and the Seattle, Baltimore, Indianapolis, Alabama, Grand Rapids and North Carolina Symphony Orchestras, the Basel Sinfonietta, the Nu Deco Ensemble, and the Los Angeles Philharmonic.
\nNew Amsterdam Records<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

Underdressed at the Symphony<\/h3>\n
\n\t

Faye Webster<\/a>
\nBorn June 25, 1997,\u00a0Faye Webster is an American singer-songwriter from Atlanta, Georgia. Underdressed at the Symphony is her fifth studio album. It \u00a0\"builds upon the frameworks she\u2019s established and pushes them to their limits.\u201d (Exclaim!) \u00a0She evolves a familiar intimacy within her songwriting skills on the album, blending catharsis and humor over a sonic palette of multiple genres like \"indie rock, country, and R&B. The album has been well-received by music critics.
\nSecretly Canadian<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

Tiny Desk Concert<\/h3>\n
\n\t

RAYE<\/a>
\nRachel Agatha Keen (born 24 October1997), known\u00a0 professionally as RAYE, is an English singer-songwriter. Her debut studio album, My 21st Century Blues<\/em> (2023) was released independently to critical and commercial success, and won Album of the Year at the 2024 BRIT Awards. The South London-bred singer-songwriter had finally made her way to NPR headquarters, her signature cherry-hued pin curls full of bounce and a radiant smile spread across her face. RAYE exudes the confidence and abilities of a veteran vocal powerhouse.
\nNPR Music<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

Prelude (from the forthcoming album Fearless Movement<\/h3>\n
\n\t

Kamasi Washington<\/a>
\nArmed with a tenor saxophone and endless ambition, musician and bandleader Kamasi Washington returns with what he calls his 'dance album'. Since the release of the triple album The Epic in 2015, Kamasi Washington has become a
\nacclaimed talent of modern jazz. His latest LP, Fearless Movement, is a self-produced odyssey and manages to maintain a blistering accessibility despite its length of almost 90 minutes. A whole host of other artists support him in this feat...\" (Liam Casci for The Skinny)<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Courtney Barnett Courtney Melba Barnett (born 3 November 1987) is an Australian singer, songwriter, and musician. \u201cEnd Of The Day is a meditative, slow-burning and beautiful record, prioritising atmosphere, tone and texture over traditional song structures and melodic hooks. It’s a fearless and stunning turn for an artist who built her formidable reputation through profoundContinue Reading<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"link","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/3082"}],"collection":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/comments?post=3082"}],"version-history":[{"count":4,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/3082\/revisions"}],"predecessor-version":[{"id":3086,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/3082\/revisions\/3086"}],"wp:attachment":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/media?parent=3082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/categories?post=3082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/tags?post=3082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}