<\/p>\n
Lily Seabird<\/a> Jethro Tull<\/a> Country Orchestra Christina Brunner<\/a> Shouse<\/a> Wet Leg<\/a> Lily Seabird Trash Mountain Since\u00a02023, Vermont songwriter Lil Seabird\u2019s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a tournig bassist with Greg Freeman, Lutalo, and Liz Cooper. While she thrives in transit, back home she in anchored by \u201cTrsah Mountain,\u201d aContinue Reading<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/3593"}],"collection":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/comments?post=3593"}],"version-history":[{"count":3,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/3593\/revisions"}],"predecessor-version":[{"id":3596,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/posts\/3593\/revisions\/3596"}],"wp:attachment":[{"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/media?parent=3593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/categories?post=3593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaiamedia.org\/english\/wp-json\/wp\/v2\/tags?post=3593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTrash Mountain<\/strong>
\nSince\u00a02023, Vermont songwriter Lil Seabird\u2019s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a tournig bassist with Greg Freeman, Lutalo, and Liz Cooper. While she thrives in transit, back home she in anchored by \u201cTrsah Mountain,\u201d a ink house surrounded by other artists and creators\u00a0situated on a decommissioned landfill site as the back of Burlington\u2019s Old North End. Here, Seabird has found belonging, friendship, and inspiration.
\nMacro Sound<\/strong><\/p>\n
\nAqualung<\/strong>
\nOne of the iconic band of the seventies, Jehtro Tull is back on the road, Ian Anderson showing that the flute is as suited to Rock \u2018n Roll as any instrument. \u201cFrontman Ian Anderson has wielded the instrument \u2013 a favorite among middle-school-band girls and wandering minstrels for almost a thousand years \u2013 like a madman onstage, aggressively blowing solos usually reserved for guitars or saxophones. But paired with the band\u2019s era-spanning brand of prog-folk music \u2013 expertly displayed on 1971\u2019s breakthrough \u2018Aqualung\u2019 album \u2013 the flute has become a weapon of mass destruction in Anderson\u2019s hands.\u201d \u00a0More here<\/a>.
\nChrysalis Island<\/strong><\/p>\n
\nFahre (Travelling)<\/strong>
\nKristina Brunner (1993) studied cello with a focus on folk music and Schwyzer\u00f6rgeli (swiss arcordeon) with Markus Fl\u00fcckiger at the Lucerne School of Music. Since 2019, she has been teaching Schwyzer\u00f6rgeli at music schools in the G\u00fcrbetal region and the city of Lucerne. She also performs regularly in concerts, primarily in duos with Evelyn Brunner and Albin Brun. Kristina Brunner’s roots lie in traditional Swiss folk music. After eight unique works by male composers, Kristina Brunner is the first woman to be commissioned to write a piece for the traditional \u201cStuberte am See\u201d (Lake Session). The same piece newly available here<\/a>.
\nGlobal Sounds<\/strong><\/p>\n
\nCollective Ecstacy<\/strong>
\nShouse is Ed Service and Jack Madin from deep in the colony of Melbourne\/Naarm Australia. They are two best friends who like to hang out tinkering on drum machines and synths making weirdo-house. From time to time they get the local choir together to make a global anthem. Sometimes they lead choirs of thousands in a cathedral into \u2018communitas\u2019, rituals of transcendence. Shouse is all about collective effervescence, communal ecstasy, singing, dancing, musiking, together as one. Check out the far out visuals on their website\u00a0here<\/a>.
\nSmooch<\/strong><\/p>\n
\nCPR<\/strong>
\n\u201cSince Wet Leg emerged three years ago, its trajectory into indie-rock stardom has been a series of alm,ost absurd feats. Pals from the Isle of Wight, England \u2014 a far reach from a musical hot spot \u2014 the group saw its self-titled debut LP explode, a chart-topper in the United Kingdom that also earned two Grammys. \u201cChaise Longe\u201d perhaps history\u2019s catchiest track about a grandfather\u2019s upholstered chair, had vocal fans in Elton John, Lorde and Dave Grohl; seemingly overnight. Wet Leg ascended from dingy clubs to stadiums, opening for Foo Fighters and Harry Styles.\u201d (The New York Times)
\nDomino<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"